{"id":702,"date":"2020-05-10T20:33:13","date_gmt":"2020-05-10T18:33:13","guid":{"rendered":"https:\/\/ferrersenabre.com\/isabel\/?page_id=702"},"modified":"2023-10-16T17:49:55","modified_gmt":"2023-10-16T15:49:55","slug":"publicacions","status":"publish","type":"page","link":"https:\/\/ferrersenabre.com\/isabel\/publicacions\/","title":{"rendered":"Publicacions"},"content":{"rendered":"\n

Recerca<\/h2>\n\n\n\n

Discursos a trav\u00e9s de la celebridad local: la cupleti<\/a>s<\/a>ta Adela Margot en Val\u00e8ncia durante la d\u00e9cada de 1910<\/a> (versi\u00f3n en espa\u00f1ol)
Pasado y Memoria. Revista de Historia Contempor\u00e1nea<\/em>, 24, 2022 <\/p>\n\n\n\n

Discursos a trav\u00e9s de la celebritat local: la cupletista Adela Margot a Val\u00e8ncia durant la d\u00e8cada de 1910<\/a> Pasado y Memoria. Revista de Historia Contempor\u00e1nea<\/em>, 24, 2022<\/p>\n\n\n\n

Compositores valencianes i teatre l\u00edric popular en el primer ter\u00e7 del segle XX<\/a>
Quadr\u00edvium<\/em>, 12, 2021<\/p>\n\n\n\n

Compositoras valencianas y teatro l\u00edrico popular en el primer tercio del siglo XX<\/a> (versi\u00f3n en espa\u00f1ol)
Quadr\u00edvium<\/em>, 12, 2021<\/p>\n\n\n\n

E<\/a>scenificando el g\u00e9nero: espacios para los bailes de moda durante el primer franquismo<\/a>
Danza, g\u00e9nero y sociedad<\/em>, Beatriz Mart\u00ednez del Fresno y Ana Mar\u00eda D\u00edaz Olaya (coord.) M\u00e1laga: Universidad de M\u00e1laga, 2017<\/p>\n\n\n\n

Les pistes de ball durant el primer franquisme: espais de lleure a l\u2019Horta-Albufera<\/a>
Tesi Doctoral. Menci\u00f3 de Doctorat Europeu. Programa de Doctorat en Hist\u00f2ria de l\u2019Art i Musicologia. Universitat Aut\u00f2noma de Barcelona, 2013<\/p>\n\n\n\n

<\/p>\n\n\n\n

Folklorismo y memoria generacional: narrativas de las realidades musicales del primer franquismo<\/a>
Current Issues in Music Research: Copyright, Power and Transnational Music Processes<\/em>, Moreno Fern\u00e1ndez, Susana et al.<\/em> (eds.), Lisboa: Edi\u00e7oes Colibri, Instituto de Etnomusicologia-Centro de Estudos em Musica e Dan\u00e7a, pp. 129-148, 2013.<\/p>\n\n\n\n

Ruperto Chap\u00ed y la zarzuela: ambivalencias musicales en la Guerra Civil Espa\u00f1ola<\/a>
Ruperto Chap\u00ed. Nuevas Perspectivas<\/em>, A Galbis L\u00f3pez, Vicent et al. <\/em>(dirs.). Val\u00e8ncia: Institut Valenci\u00e0 de la M\u00fasica, pp. 495-511, 2012<\/p>\n\n\n\n

Dissentiments de la dictadura: balls, franquisme i Esgl\u00e9sia<\/a>
La Dictadura franquista: la institucionalitzaci\u00f3 d\u2019un r\u00e8gim<\/em>, Segura, Antoni et. al <\/em>(dirs.). Barcelona: UB Edicions, pp. 432-446, 2012<\/p>\n\n\n\n

Cant i quotidianitat: visibilitat i g\u00e8nere durant el primer franquisme<\/a>
Trans \u2013 Transcultural Music Review<\/em>, n. 15, 2011<\/p>\n\n\n\n

Canto y cotidianidad: visibilidad y g\u00e9nero durante el primer franquismo (versi\u00f3n en espa\u00f1ol<\/a>)
Trans \u2013 Transcultural Music Review<\/em>, n. 15, 2011 (versi\u00f3n en espa\u00f1ol)<\/p>\n\n\n\n

Passejos, pistes i plaques: els balls a l\u2019Horta Sud durant el primer franquisme<\/a>
Quadr\u00edvium<\/em> n. 3, 2012<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

Divulgaci\u00f3<\/mark><\/h2>\n\n\n\n

Els cuplets de Joan Fuster<\/a>
Joan Fuster, entre nosaltres. XXVI Homenatge a la Paraula<\/em>. Gandia: CEIC Alfons el Vell, 2022.<\/p>\n\n\n\n

Joan fuster a la pista de ball<\/a>
Sonograma Magazine, octubre de 2022<\/p>\n\n\n\n

El tromb\u00f3 de Marguerite Dufay<\/a>
Sonograma Magazine, abril de 2022
(lee aqu\u00ed la versi\u00f3n en espa\u00f1ol: El tromb\u00f3n de Marguerite Dufay<\/a>)<\/p>\n\n\n\n

Sportsmen <\/em>i polques patinables<\/a>
Sonograma Magazine, abril de 2022
(lee aqu\u00ed la versi\u00f3n en espa\u00f1ol: Sportsmen <\/em>y polcas patinables)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Repensar la tradici\u00f3 i la modernitat<\/a>
Sa\u00f3 n. 391, mar\u00e7 2014<\/p>\n\n\n\n

Acustemologia de g\u00e8nere: ecos per a una fantasia<\/a>?
Quadr\u00edvium<\/em> n. 5, 2014<\/p>\n\n\n\n

Pol\u00edtica, adaptaci\u00f3 i superviv\u00e8ncia: els balls a les societats musicals valencianes de la primera meitat del segle XX<\/a>
Canem\u00e0s<\/em> n. 7, 2014<\/p>\n\n\n\n

\u00abSe\u00f1orita, \u00bfme permite este pecado?\u00bb: els d\u00e0ncings i la dictadura franquista<\/a>
Impromptu 48<\/em>, 2012<\/p>\n\n\n\n

Can\u00e7ons que cal saber<\/a><\/em>
Costal, Anna (coord.). Barcelona: P\u00f2rtic, 2010<\/p>\n\n\n\n

\u00abPassat i present. Requalificaci\u00f3 de terrenys musicals\u00bb<\/a>
Nativa<\/em>, n. 51, pp. 10-15, 2009<\/p>\n\n\n\n

\n\n\n\n

Ressenyes<\/mark><\/h2>\n\n\n\n

Las bandas: entre lo cotidiano y lo extraordinario
Ressenya de Nicol\u00e1s Rinc\u00f3n Rodr\u00edguez y David Ferreiro Carballo (eds.): Bandas de m\u00fasica: contextos interpretativos y repertorios<\/em>. Granada: Libargo, 2019
Estudios band\u00edsticos<\/em> (en premsa)<\/p>\n\n\n\n

Enrique Encabo e Inmaculada Polo (eds.): Copla, ideolog\u00eda y poder<\/a>. Madrid: Editorial Dykinson, 2020.
El o\u00eddo pensante<\/em> 10.1 (mar\u00e7-setembre 2022), pp. 166-169.<\/p>\n\n\n\n

‘Explicar la hist\u00f2ria a trav\u00e9s de quinze dones’<\/a>
Ressenya d’Antoni Furi\u00f3 (ed.). Quinze dones valencianes<\/em>. Catarroja: Afers, 2020. L’espill<\/em>, vol. 63-64, 2021.<\/p>\n\n\n\n

‘Quan el silenci ens parla’<\/a>
Ressenya d’Alain Corbin: Hist\u00f2ria del silenci. Del Renaixement als nostres dies<\/em>. Barcelona: Fragmenta, 2019. Sa\u00f3<\/em>, desembre 2020.<\/p>\n\n\n\n

Beatriz Mart\u00ednez del Fresno, Bel\u00e9n Vega Pichaco (eds.): Dance, Ideology and Power in Francoist Spain (1938-1968), Turnhout, Brepols, 2017<\/a>
Cuadernos de M\u00fasica Iberoamericana, vol. 31, 2018<\/p>\n\n\n\n

Elvira Asensi Silvestre: M\u00fasica, mestre! Les bandes valencianes en el tombant del segle XIX Val\u00e8ncia: Universitat de Val\u00e8ncia, 2013, p. 193<\/a>
Canem\u00e0s, Juny 2013<\/p>\n\n\n\n

\n\n\n\n

Pr\u00f2legs<\/mark><\/h2>\n\n\n\n

‘Deixem lo dol. Goigs i musiques de Pasqua’ de B\u00e0rbara Duran Bordoy<\/a>. Menorca: Edicions M\u00f3n de Llibres, 2019.<\/p>\n\n\n\n

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Els continguts d\u2019aquests materials estan sota una llic\u00e8ncia Creative Commons<\/strong><\/a>. Consulteu-los abans d\u2019emprar-los.<\/p>\n\n\n\n

Los contenidos de estos materiales est\u00e1n bajo una licencia Creative Commons<\/strong><\/a>. Cons\u00faltela antes de usarlos.<\/p>\n\n\n\n

The contents of these materials are under a licence Creative Commons<\/strong><\/a>. Check it before use.<\/p>\n\n\n\n

Isabel Ferrer Senabre, 2022<\/p>\n\n\n

\n
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